Glen Hansard

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Glen Hansard

Post  hummerhummer on Sat Mar 02, 2013 11:52 pm



Voice Type: Low Tenor
Vocal Range: F♯2 - D5

Significant High Notes:
D5 ("Leave" "Pennies In The Fountain"")
C♯5 ("And The Healing Had Begun", "Leave")
C5 (''Falling Slowly'' (live at Royal Albert Hall 2014), "When Your Mind's Made Up")
B4 ("And The Healing Had Begun", "Falling Slowly", "Lies")
B♭4 ("Crash On The Levee")
A4 ("And The Healing Had Begun", "Angel At The Table", "Astral Weeks", "Bird Of Sorrow", "High Hopes", "Love Don't Leave Me Waiting",  "Once", "Say It To Me Now", "So Real", "When Your Mind's Made Up")
G♯4 ("Into The Mystic", "Leave", "Low Rising")
G4 ("The Storm It's Coming")

Significant Low Notes:
F♯2 ("Broken Hearted Hoover Sucker Guy", "Races", "Trying To Put Myself Away")
G2 ("Falling Slowly", "High Hopes")
A2 ("Philander")
B2 ("All The Way Down", "Fallen From The Sky", "Leave", "Maybe Not Tonight, "You Will Become")

.......................................................
*Orange marks notes with questionable registers: absolutely no use figuring out these.
*Blue marks probable non-modal notes.
*Red marks extremely bad, unimpressive or unintentional notes.
*Italics marks non-sung notes.


Last edited by hummerhummer on Wed Jan 28, 2015 7:09 am; edited 3 times in total

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Re: Glen Hansard

Post  Guest on Sat Mar 02, 2013 11:55 pm

♭ ♯
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Re: Glen Hansard

Post  Guest on Fri Mar 22, 2013 4:33 am

I think he's more of a dark Low Tenor than a High Baritone to be honest, His natural timbre is actually quite light
I watched once the other day and His higher 4th octave notes are impressive. I think alot of the time, he makes them sound more aggressive which some people will mistake for strained.
His falsetto also reminds me of a darker Thom yorke
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Re: Glen Hansard

Post  Hopscotch on Fri Mar 22, 2013 8:12 am

Tenor45 wrote:I think he's more of a dark Low Tenor than a High Baritone to be honest, His natural timbre is actually quite light
Here we go again...
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Re: Glen Hansard

Post  Guest on Fri Mar 22, 2013 8:22 am

Abacus wrote:
Tenor45 wrote:I think he's more of a dark Low Tenor than a High Baritone to be honest, His natural timbre is actually quite light
Here we go again...

what?
I seriously hear him more as a Tenor than a Baritone
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Re: Glen Hansard

Post  Hopscotch on Fri Mar 22, 2013 8:49 am

Vois type debates more like

worst thing Crying or Very sad
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Re: Glen Hansard

Post  Guest on Fri Mar 22, 2013 8:49 am

Abacus wrote:Vois type debates more like

worst thing Crying or Very sad

But I thought the system was set so that debates on VT were welcomed?
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Re: Glen Hansard

Post  Hopscotch on Fri Mar 22, 2013 8:51 am

Tenor45 wrote:But I thought the system was set
The notion of the "system" being "set" or "organized" in any way is just completely erroneous to begin with.
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Re: Glen Hansard

Post  Guest on Fri Mar 22, 2013 8:53 am

Abacus wrote:
Tenor45 wrote:But I thought the system was set
The notion of the "system" being "set" or "organized" in any way is just completely erroneous to begin with.

I'm really confused, I think this guy's voice type should be a Tenor of some sort , Not a High Baritone.
He doesn't sound like a Baritone
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Re: Glen Hansard

Post  Hopscotch on Fri Mar 22, 2013 8:54 am

Not a baritone (Tenor45: "he doesn't sound like one")
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Re: Glen Hansard

Post  Buh-Red on Fri Mar 22, 2013 8:55 am

Abacus wrote:Not a baritone (Martin28: "he doesn't sound like one")


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Re: Glen Hansard

Post  Guest on Fri Mar 22, 2013 9:01 am

Btw this thread should have more notes He has done like 9 albums alone with his band The Frames and he gets Falsetto B4s in Lies
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Re: Glen Hansard

Post  wonka on Fri Mar 22, 2013 9:59 am

Tenor45 wrote:I think he's more of a dark Low Tenor than a High Baritone to be honest, His natural timbre is actually quite light
I watched once the other day and His higher 4th octave notes are impressive. I think alot of the time, he makes them sound more aggressive which some people will mistake for strained.
His falsetto also reminds me of a darker Thom yorke
I like to comment or analyze the voices, if we can't comment here where else?

I don't get some things of this site. I like your analysis

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Re: Glen Hansard

Post  Hopscotch on Fri Mar 22, 2013 10:01 am

The analysis is fine. Just take out the uses of the terms "low tenor" and "high baritone" and it'll make a fine addition to the OP.
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Re: Glen Hansard

Post  Guest on Fri Mar 22, 2013 11:01 am

Abacus wrote:The analysis is fine. Just take out the uses of the terms "low tenor" and "high baritone" and it'll make a fine addition to the OP.

Perfect
Can u change the OP to say just Tenor?
We wont split hairs about L/M/H

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Re: Glen Hansard

Post  Hopscotch on Fri Mar 22, 2013 11:12 am

If no one disagrees, I suppose.
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Re: Glen Hansard

Post  wonka on Fri Mar 22, 2013 11:24 am

He's the typical low tenor that can pass as high baritone at first (Mark Owen, Kurt Cobain)

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Re: Glen Hansard

Post  Guest on Fri Mar 22, 2013 11:45 am

wonka wrote:He's the typical low tenor that can pass as high baritone at first (Mark Owen, Kurt Cobain)

Exactly, But I agree with Abacus
No point calling him L/M/H Tenor Just Tenor on it's own seems fine.
Throughout most of 'Once' he seems to have great control in the upper part of his register
as well as a beauiful light tone and technique
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Re: Glen Hansard

Post  wonka on Fri Mar 22, 2013 10:05 pm

So from now on it means that Michael Jackson, Kurt Cobain and Freddie Mercury will become tenors and Nat King Cole, Roger Daltrey and Vile Valo baritones?

I don' t like it there should be a six types classification except for opera singers

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Re: Glen Hansard

Post  Hopscotch on Sat Mar 23, 2013 3:36 am

Why don't we take this argument to the right thread instead?
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Re: Glen Hansard

Post  Guest on Fri May 31, 2013 9:42 am

Can I please take over this thread? I love Glen Hansard and the frames and would love to add some notes to this OP.
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Re: Glen Hansard

Post  Guest on Fri May 31, 2013 10:15 am

Here are All The Significant Notes From Once which should be added to the OP

Significant High Notes

D5 (''Leave'')
C♯5 (''Leave'', ''And The Healing Had Begun'')
C5 (''When Your Mind's Made Up'')
B4 (''Lies'', ''And The Healing Had Begun'')
A4 (''When Your Mind's Made Up'', ''And The Healing Had Begun'', ''Say It To Me Now'', ''Once'')
G♯4 (''Leave'', ''Into The Mystic'')

Significant High Notes

B2 (''Fallen From The Sky'', ''Leave'', ''All The Way Down'')
F♯2 (''Broken Hearted Hoover Sucker Guy'', ''Trying To Put Myself Away'')
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Re: Glen Hansard

Post  Guest on Sat Jun 01, 2013 1:57 am

D5 (''Pennies In The Fountain'')
A4 (''So Real'', ''Angel At The Table'', ''Love Don't Leave Me Waiting'')
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Re: Glen Hansard

Post  Prometheus on Sun Jan 04, 2015 11:31 pm


2:27 D5


Last edited by Prometheus on Thu Jul 02, 2015 9:00 am; edited 1 time in total
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Re: Glen Hansard

Post  Prometheus on Sun Mar 15, 2015 7:27 am


3:38 and on belted C5s
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Re: Glen Hansard

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