Voice type: Tenor
Vocal range: G2-A5
Significant high notes:
A5 ("Driving Wheels" live 1998, "Piece of My Heart" live on Hey Hey It's Saturday 2010)
G♯5 ("Piece of My Heart" live on Hey Hey It's Saturday 2010)
F♯5 ("Change of Heart", "Little Darling", "Piece of My Heart" live on Hey Hey It's Saturday 2010, "When a Man Loves a Woman" live)
F5 ("Chain of Fools", "Good Times", "Monkey Man", "Working Class Man", "You've Lost That Lovin' Feelin'")
E5 ("Driving Wheels", "Little Darling")
E♭5 ("Monkey Man", "When a Man Loves a Woman" live)
D5 ("Brother of Mine" live)
C♯5 ("Good Times")
Significant low notes:
G2 ("Change of Heart", "Stand Up")
A2 ("My Baby Just Cares For Me", "You've Lost That Lovin' Feelin'")
C3 ("Brother of Mine" live, "Out in the Blue" live)
*Orange marks notes with questionable registers: absolutely no use figuring out these.
*Blue marks probable non-modal notes.
*Red marks extremely bad, unimpressive or unintentional notes.
*Italics mark non-sung notes.
Barnes is a worthy contender for the title of the 'craziest Australian high note singer'. Though possessing a thinner, raspier voice than his colleague, Barnes and John Farnham perform very similar music with a very similar attitude to singing.
Last edited by The Powerhouse on Fri Feb 22, 2013 1:59 am; edited 2 times in total
Around two and half minutes, if I remember correctly.
Blistering Eb5s in Saturday Night, as well as some E5s in Goodbye (Astrid, Goodbye) and Rising Sun (which is an awesome vocal performance; effortless A4s all the way through and the vocals all the way through just sound really well-performed,
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