Annie Haslam

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Annie Haslam

Post  Whackooyzero on Sat Oct 20, 2012 6:53 am


Voice type: Soprano
Vocal range: E3-G6

Significant high notes:

  • G6 ("Ashes Are Burning" live 1983)
  • F♯6 ("Ashes Are Burning" live 1983)
  • E6 ("Ashes Are Burning" live 1983)
  • D6 ("The Mystic and the Muse" live, "Touching Once" live)
  • C6 ("Running Hard" live 1983, "Rockalise", "Flight" live)
  • B5 ("Prologue", "Ave Maria", "Still Life", "Rockalise", "Further from Fantasy", "Chains and Threads")
  • B♭5 ("Scheherazade Medley" live, "At the Harbour", "Song of Scheherazade")
  • A5 ("Rajah Khan", "Forever Bound", "Sounds of the Sea", "Turn of the Century", "One Day", "Further from Fantasy", "One More Arrow")
  • G♯5 ("Song of Scheherazade")
  • G5 ("A Song for All Seasons", "Things I Don't Understand", "Ashes Are Burning", "Rockalise", "Camera Camera", "Dolphin's Prayer", "She's the Light")
  • F♯5 ("Sounds of the Sea", "Mother Russia", "The Sisters", "The Winter Tree", "Can You Hear Me", "Celestine")
  • F5 ("A Song for All Seasons", "Ashes Are Burning")
  • E5 ("Carpet of the Sun", "You", "Remember", "Ave Verum", "Further from Fantasy", "Angel Blue", "Let it Grow")
  • E♭5 ("The Sisters", "Secret Mission", "Dolphin's Prayer", "Touching Once", "Mother Russia")
  • D5 ("Running Hard", "Northern Lights", "The Captive Heart", "Pearls of Wisdom", "Golden Key", "Trip to the Fair", "Can You Hear Me", "Rajah Khan", "Forever Bound", "Glitter and Dust", "If I Loved You", "Spare Some Love", "Bitter Sweet", "Bound for Infinity", "I Think of You", "Going Home", "Paintings Last Forever", "Faeries", "One Day", "Shine", "Ananda", "Running River Runs")
  • C♯5 ("Kiev", "The Flood at Lyons", "Kalynda", "Hunioco", "Jekyll and Hyde", "Mother Russia", "The Day You Strayed", "It's All Over Now Baby Blue", "Twig", "Angel Blue")

Significant low notes:

  • B♭3 ("Mother Russia", "Vultures Fly High", "Going Home", "A New Life")
  • A3 ("Sounds of the Sea", "Can You Hear Me", "Black Flame", "Trip to the Fair", "A Song for All Seasons", "Ocean Gypsy", "Kalynda", "In My Life", "Still Life", "I Think of You", "Nature Boy", "Wildest Dreams", "Blessing in Disguise", "If I Loved You", "Angel Blue", "Faeries", "Skaila", "Chains and Threads", "Celestine")
  • G♯3 ("The Winter Tree", "Bound for Infinity", "Wishing on a Star", "She's the Light", "Twig")
  • G3 ("Running Hard", "Black Flame", "Golden Key", "Things I Don't Understand", "Faeries", "Glitter and Dust", "Bitter Sweet", "Paintings Last Forever", "Brazilian Skies" live, "It's All Over Now", "Shine", "Further from Fantasy", "Let it Be Me")
  • F♯3 ("Carpet of the Sun", "Midas Man", "Pearls of Wisdom", "Scheherazade Medley" live, "Let it Grow")
  • F3 ("Let it Be Me", "One Day")
  • E3 ("The Captive Heart", "Bitter Sweet", "Ripples", "Carpet of the Sun" live)

Great, poetic voice.
.......................................................
*Purple marks notes in backing vocals.
*Italics mark non-melodic notes.


Last edited by Whackooyzero on Sun Oct 27, 2013 3:28 am; edited 19 times in total

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Re: Annie Haslam

Post  KeithMoonIsGod on Sat Oct 27, 2012 4:28 am

Great D5 in "I Think of You"
"Blow cool over MEEEEEEE!"

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Re: Annie Haslam

Post  Guest on Sun Oct 28, 2012 5:07 pm

My internet is extremely (and weirdly) slow at the times, so I can't watch a video right now, but i remember some amazing singing by Annie here.

I don't remember exactly, but there's a beautiful A#5 here and a low notes as well (back in my teenage angst prog-ladden days I haven't pitched that note



Later part of Ashes are Burning the way, ashes are burning the waaaaaaaaaaaaaaaayyyyyyyyyyy, where Annie hits some strained, but really high notes. (Don't remember which, but when she's "singing the guitar solo")


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Re: Annie Haslam

Post  B6 on Sun Oct 28, 2012 5:24 pm

jever_oliveira wrote:Later part of Ashes are Burning the way, ashes are burning the waaaaaaaaaaaaaaaayyyyyyyyyyy, where Annie hits some strained, but really high notes. (Don't remember which, but when she's "singing the guitar solo")

Great D5 at 0:31, 1:11, incredible sustained E5 at 1:44, falsetto G5 at 2:11, 2:39 B5, later gliding up to C6 and D6! E6 at 2.50, F#6 at 3:17 and then again at 3:27, them some C6-D6 singing, and then at 3:53 sustained E6 gliding to two sharp F#6s! Later on more unbelievable E6-F#6 coloratura singing, and loooooooooooooooong sustained full E5 to end it all.

Had never heard of her. Fucking awesome.

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Re: Annie Haslam

Post  Guest on Sun Oct 28, 2012 5:28 pm

B6 wrote: Great D5 at 0:31, 1:11, incredible sustained E5 at 1:44, falsetto G5 at 2:11, 2:39 B5, later gliding up to C6 and D6! E6 at 2.50, F#6 at 3:17 and then again at 3:27, them some C6-D6 singing, and then at 3:53 sustained E6 gliding to two sharp F#6s! Later on more unbelievable E6-F#6 coloratura singing, and loooooooooooooooong sustained full E5 to end it all.

Had never heard of her. Fucking awesome.

Thank you dude!

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Re: Annie Haslam

Post  Cro on Sun Oct 28, 2012 5:28 pm

jever_oliveira wrote:

4:35 towards the end Shocked

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Re: Annie Haslam

Post  B6 on Sun Oct 28, 2012 5:56 pm

I could help you if you post notes you're unsure about, she's got a cool voice.

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Re: Annie Haslam

Post  Cro on Sun Oct 28, 2012 5:57 pm

B6 wrote:I could help you if you post notes you're unsure about, she's got a cool voice.
It's not that I'm unsure I'm just staring in awe haha Very Happy

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Re: Annie Haslam

Post  B6 on Sun Oct 28, 2012 6:10 pm

jever_oliveira wrote:My internet is extremely (and weirdly) slow at the times, so I can't watch a video right now, but i remember some amazing singing by Annie here.

I don't remember exactly, but there's a beautiful A#5 here and a low notes as well (back in my teenage angst prog-ladden days I haven't pitched that note

Some A3s, easy C5s throughout and a good D5 at 5:20, breathy falsetto singing starting at 5:47 with D5s, E5s, F#5s, G#5s and Bb5s. If the last "la la la"s are her (I think they are), then also surprisingly easy and solid F#3s.

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Re: Annie Haslam

Post  Guest on Sun Oct 28, 2012 6:18 pm

Yes, Jon Camp (the bassit) does some backing vocals, but the la la la's are hers indeed.

PS: I love you dude In Love .

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Re: Annie Haslam

Post  B6 on Sun Oct 28, 2012 6:32 pm

Thank you thank you Tiphat

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Re: Annie Haslam

Post  Whackooyzero on Mon Oct 29, 2012 3:55 am

Would this be considered a full B5 at 6:29? It's got more force to it than the other B5's I've heard her do at least (and more so than the studio version). Sustained one at 6:42 too. Great singing.

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Re: Annie Haslam

Post  Whackooyzero on Thu Nov 01, 2012 3:13 am

Any verdicts people?

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Re: Annie Haslam

Post  KeithMoonIsGod on Thu Nov 01, 2012 12:39 pm

Whackooyzero wrote:Would this be considered a full B5 at 6:29? It's got more force to it than the other B5's I've heard her do at least (and more so than the studio version). Sustained one at 6:42 too. Great singing.
God, that's a mystery to me...
Women's falsetto can be quite tough to distinguish.
Full? pale

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Re: Annie Haslam

Post  Guest on Thu Nov 01, 2012 12:55 pm

Orange.

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