Maynard James Keenan

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Maynard James Keenan

Post  Rodney Razorshorts on Wed Oct 10, 2012 6:11 am



Voice type: Baritenor
Vocal range: G1-A5

Significant high notes:
A5 ("Hooker With a Penis")
G5 ("Rosetta Stoned", "Ticks and Leeches")
F♯5 ("The Three Little Pigs")
F5 ("Stinkfist" live 2006)
E♭5 ("Stinkfist" live Nickelsdorf 2006)
D5 ("Crawl Away", "Hush", "Jerk-Off" live, "Stinkfist" live 2006, "Ticks and Leeches")
C♯5 ("Know Your Enemy")
C5 ("Bottom", "Forty-Six & Two", "Opiate", "The Patient", "When the Levee Breaks")
B4 ("Eulogy", "Passive", "The Pot", "No Quarter", "Parabola", "Forty-Six & Two", "Pushit", "3 Libras", "Maynard's Dick", "The Outsider", "Hush", "Opiate", "Prison Sex", "Crawl Away", "Passenger")
B♭4 ("Hooker With a Penis", "Jerk-Off" live, "Pet", "Sober", "The Grudge", "The Hollow", "Undertow")
A4 ("H.", "Hooker With a Penis", "Jimmy", "Stinkfist", "Third Eye", "Right in Two", "Swamp Song", "Part of Me", "Intolerance", "Prison Sex", "Bottom", "Crawl Away", "4°", "Flood", "Disgustipated", "Orestes", "Sweat", "Reflection", "No Quarter")
G♯4 ("Judith", "Magdalena", "Orestes", "Rose", "Thomas", "The Grudge", "The Outsider")

Significant low notes:
C3 ("Disgustipated", "Imagine", "Sober", "Swamp Song", "The Grudge", "When the Levee Breaks" live)
B2 ("3 Libras", "Blue", "Disposition", "Opiate", "Parabola", "REV 22:20", "Thinking Of You", "Weak and Powerless")
B♭2 ("Fiddle and the Drum")
A2 ("10,000 Days (Wings Part 2)", "By and Down", "H.", "Pushit")
G♯2 ("Man Overboard", "The Nurse Who Loved Me", "The Undertaker")
G2 ("Intension", "Wings for Marie Part 1")
F♯2 ("Let's Have a War", "Wings for Marie Part 1")
F2 ("Drunk With Power")
E2 ("Vagina Mine")
E♭2 ("Drunk With Power", "Momma Sed")
D2 ("Indigo Children", "Lateralus", "Queen B.")
C♯2 ("Let's Have a War")
C2 ("Rosetta Stoned", "Trekka")
B1 ("Indigo Children")
G1 ("Queen B.")

.......................................................
*Orange marks notes with questionable registers: absolutely no use figuring out these.
*Blue marks probable non-modal notes.
*Red marks extremely bad, unimpressive or unintentional notes.
*Italics mark non-sung notes.


Last edited by Rodney Razorshorts on Wed Jul 16, 2014 5:36 am; edited 7 times in total

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Re: Maynard James Keenan

Post  Guest on Wed Oct 10, 2012 6:34 am

Someone must have forgot to inform you on the news.

Brackets are history Surprised

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Re: Maynard James Keenan

Post  Rodney Razorshorts on Wed Oct 10, 2012 6:41 am

Someone must have forgot to inform you-

Oh hey look it's Sippe Surprised

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Re: Maynard James Keenan

Post  Guest on Wed Oct 10, 2012 6:55 am

Sippe wrote:Someone must have forgot to inform you on the news.

Brackets are history Surprised

Dirty falsetto deserves to be locked in those brackets where it belongs

Hey I thought Maynard sang G1s or something on "Queen B"

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Re: Maynard James Keenan

Post  Roehoer on Fri Oct 26, 2012 1:23 am

Hi

I thought The pot had some C5s, not B4?
Also, C5s in forty six and two

http://www.youtube.com/watch?v=Tja6_h4lT6A

from 5:17-5:22

There's also a pretty awesome C5 in the patient at 5:42

http://www.youtube.com/watch?v=8xk8YCmJMuE

I also thought the songs Wings for marie pt. 1 and 2 should be mentioned here, for the exceptionally low singing for maynards standards. He hits tons of A2s and G2s in the songs and he has a weak, but creepy F#2 at 2:56

http://www.youtube.com/watch?v=Frd9tjA1qCs

last but not least. One day I listened Lateralus with my headphones on and I couldve sworn he sings a backing vocal in the verses, an octave below the lead voice, so bottoming at D2. Could someone confirm or deny that for me?

http://www.youtube.com/watch?v=EDlC7oG_2W4

I'm talking about the "as below so above" part at 2:04

Sorry for the long posts, just some findings from back in the day when I used to listen a lot of tool. Didnt know about this site for too long:)

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Re: Maynard James Keenan

Post  Rodney Razorshorts on Fri Oct 26, 2012 5:26 am

Thanks for the post, added all to the OP.

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Re: Maynard James Keenan

Post  ben_1112 on Thu Nov 01, 2012 9:35 pm

<3 this guy, his chest voice is insanely powerful. The scream from The Grudge is pure madness!

He gets B4's at the end of 3 Libras ("you don't SEE me"), guess it doesn't really matter since he has D5 but there ya go.

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Re: Maynard James Keenan

Post  Guest on Sat Nov 24, 2012 9:17 am

http://www.youtube.com/watch?v=j5Cpy8dAdIg

EDIT: Then there's this http://www.youtube.com/watch?v=xkpRb0Uc_Oo

In fact, just listen to the whole album. Pretty much every song has lows. Trekka is another one.

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Re: Maynard James Keenan

Post  Guest on Wed Nov 28, 2012 6:30 am

Sherick wrote:C♯5 ("Know Your Enemy", "Know Your Enemy" live)
Seems a bit overkill.

Also, the song is called Momma Sed Sad Anyway, have some notes:

Bb4 ("Hooker With A Penis", "Sober")
A4 ("H.", "Hooker With A Penis", "Jimmy", "Stinkfist", "Third Eye", "Right In Two", "Swamp Song")

Intention has like...A2/G2? 10,000 Days has A2s at least.

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Re: Maynard James Keenan

Post  ben_1112 on Sat Jan 05, 2013 11:06 am

No idea how I forgot this, but he gets a series of VERY powerful B4's at the end of the ode to his own penis, "Maynard's Dick". You have to add it to the OP, come on the guy's belting powerful upper 4th octave notes about his own dick for god's sake, I'd say that's significant

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Re: Maynard James Keenan

Post  Guest on Sat Jan 05, 2013 11:18 am

He raps lots of fry G1s on "Queen B"

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Re: Maynard James Keenan

Post  fawfulhasfury on Sat Jan 05, 2013 12:29 pm

go to youtube and look up tool best screams. I'm not gonna bother with these long videos, but somebody should watch them. I'm sure some of the screams get above D5.

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Re: Maynard James Keenan

Post  Stoner on Tue Jan 08, 2013 10:42 am

B4's in the chorus of Parabola, I was surprised that it isn't marked yet...



2:08 "Be my re-MIND-er", then "feeling e-TER-nal"

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Re: Maynard James Keenan

Post  Guest on Fri Mar 01, 2013 9:36 am



I'd never expect this.

It sounds quite good actually Smile

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Re: Maynard James Keenan

Post  Rodney Razorshorts on Fri Mar 01, 2013 12:05 pm

Shocked That was actually pretty incredible. Although I do have to wonder what the point was.

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