Voice Type: Calling All The Baritones
Vocal Range: D2-E5
Significant High Notes:
E5 - "Once Around The World"
D5 - "Calling All The Heroes",
B4 - "Calling All The Heroes", "Dancing With The Moonlit Knight", "Kiss Like Judas", "Leaving Without You", "Midnight", "Mr. No No", "The Old Man and The Angel", "Supper's Ready", "Whole New World"
A4 - "Another Day", "Calling All The Heroes", "Living Without You", "Midnight", "Murder of The Planet Earth", "Once Around The World", "Sister Sarah", "Supper's Ready", "Vampires", "You'll Never Go To Heaven"
G♯4 - "Good 'Life", "Once Around The World", "Vampires", "Welcome To The Wild Country
G4 - "All In Red", "Jack Won't Let You Go", "The Old Man and The Angel", "Plastic Dreamer", "Sister Sarah", "Vampires", "Whole New World", "You'll Never Go To Heaven"
Significant Low Notes:
E3 - "All In Red", "Mr. No No", "Screaming On The Beaches"
D♯3 - "Another Day"
B2 - "Dancing With The Moonlight Knight", "Jackal In Your Mind", "Murder of the Planet Earth", "Once Around The World"
G2 - "Mr. No No"
E2 - "Mr. No No", "Once Around The World"
D2 - "Mr. No No"
*Purple marks notes found in backing harmony or general backing vocal or obscured in the mix.
Blue marks soft falsetto notes.
Green marks harsh or distorted notes.
*Italics mark non-sung notes.
Francis Dunnery is the lead singer and guitarist for Progressive rock/pop band It Bites. Dunnery tends to make his voice lighter, like many of his contemporaries like Fish and Peter Nicholls, in an attempt to sound similar to Genesis-era Peter Gabriel. His higher parts don't seem too strained, however he sounds more comfortable in the lower areas of his range, which is actually pretty strong, not to mention he is gifted with a lovely falsetto which he uses rather tastefully. His pronunciation with some words can sound a bit strange, as if he's intentionally hamming up his accent when he sings (My brother makes fun of him for how he says "days gone by" in the song "Screaming on the Beaches."), but his voice is still pretty col regardless. In his younger days, he could go from soft falsetto parts to harsh, shouty parts, whereas now he sings mostly in his comfortable mid-range. Check out his work on Steve Hackett's Genesis Revisited II and his numerous Peter Gabriel and Genesis covers on YouTube.
Last edited by KeithMoonIsGod on Thu Sep 03, 2015 12:21 am; edited 1 time in total
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