Adam Lopez

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Adam Lopez

Post  TheDeathBat on Sun Jan 11, 2015 6:38 am



Voice Type: Whistle/Disapproval-of-Holsety Tenor
Vocal range: B♭1-E♭8

Significant High Notes:

D♯8/E♭8: (Live 6 Octave Vocal Range Demonstration Featured on Hot Source, "Nessun Dorma")
D8: (Live on Hot Source)
C♯8: (World Record Attempt)
A♯7/B♭7: (Live on Hot Source)
G7: ("Stay With Me")
F♯7G♭7: (World Record Attempt)
F7: (''Emotions'', "Stay With Me", "Holle Ranches" (Alternative version), "Magic Flute")
E7: ("Till The End Of Time", "Stay with Me", "Gotta Get It")
D♯7/E♭7: ("Holle Ranches" (Alternative Version), "O Sole Mio")
D7: ("Magic Flute")
C♯7/D♭7: (''Emotions'')
C7: (''Emotions'', "Nessun Dorma", "Take On Me", "Fantasy")
B6: ("Shioah")
A♯6/B♭6: ("Adagio for Dreams")
A6: ("Adagio for Dreams")
G♯6/A♭6: (''Emotions'', "Shioah", Adam Lopez Vocal Tips Part 2))
F♯6/G♭6: ("Nessun Dorma", "Ain't That The Way", Adam Lopez Vocal Tips Part 2)
F6: ("Magic Flute")
E6: (Adam Lopez Vocal Tips Part 2)
C♯6/D♭6: (''Emotions'', "Fantasy", Adam Lopez Vocal Tips Part 2)
C6: ("Besame Mucho", "Ain't That The Way", "Magic Flute")
B5: ("Paper Boat", "Gotta Get It", "Magic Flute")
A5: (''O Sole Mio'' live, "Adagio Of Dreams")
G♯5/A♭5: (''O Sole Mio'' live, Adam Lopez Vocal Tips Part 2, "White Christmas" live)
G5: ("Balia Balia", "Adagio Of Dreams", "Can't Help Falling In love", "Fantasy")
F♯5/G♭5: (''O Sole Mio'' live, "Fantasy", "Take On Me", Adam Lopez Vocal Tips Part 2)
F5: (Whistle Register and Vocal Tips (1 of 2)), "Ain't That The Way", "White Christmas")
E5: ("Gotta Get It", Adam Lopez Vocal Tips Part 2, "White Christmas" live)
D♯5/E♭5: (Whistle Register and Vocal Tips (1 of 2))
D5: ("Take On Me")
C♯5/D♭5: (Adam Lopez Vocal Tips Part 2)
C5: (''Emotions'', "Balia Balia")
B4: ("Moliendo Cafe", "Till The End Of Time", "Gotta Get It", " Can't Help Falling In Love", "Paper Boat")
A4: (''O Sole Mio'' live, "All I Know", "Ven Devorane Otra Vez")

Significant Low Notes:

D♯3/E♭3: ("Emotions", Live 6 Octave Vocal Range Demonstration Featured On Hot Source, "Paper Boat")
D3: (''O Sole Mio'' live, "Can't Help Falling In Love")
C♯3/D♭3: (Adam Lopez Vocal Tips Part 2)
C3: (''O Sole Mio'' live, "Magic Flute")
B2: (''Emotions'', "Paper Boat")
G♯2/A♭2: (Adam Lopez Vocal Tips Part 2)
G2: (''Emotions'', "Balia Balia", "Take On Me")
F♯2/G♭2: (Adam Lopez Vocal Tips Part 2)
F2: (Whistle Register and Vocal Tips (1 of 2) , "Magic Flute")
E2: (Adam Lopez Vocal Tips Part 2)
D♯2/E♭2: (Live 6 Octave Vocal Range Demonstration Featured On Hot Source, "Magic Flute")
C♯2: (Adam Lopez Vocal Tips Part 2)
B1: (Whistle Register and Vocal Tips (1 of 2))
A♯1/B♭1: (Whistle Register and Vocal Tips (1 of 2)-)

***********************
* Gray Indicates Weak Or Fryish Notes.
* Blue Indicates Soft, Disconnected Falsetto notes.
* Electric Fuchsia Indicates Clear Whistle register notes.


***********************
Thank you to GLDS for fixing the formatting on this thread.


Last edited by TheDeathBat on Fri Aug 21, 2015 11:09 am; edited 22 times in total
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Re: Adam Lopez

Post  Farrex on Sun Jan 11, 2015 7:19 am

Finally Dance Laughing I will just post here the last notes I posted.
really good G5 in his cover of Can't Help Falling in Love at 3:05. He sings it in a way higher key than Elvis so I think there are no lows. Perhaps some D3s there is one at 1:48, Also there is a belted Bb4/B4 at 2:52. There is also a brief Bb2 at 1:02 which I believe is not worth counting since the whole tessitura is higher. I think that is all that is in the song.


And another C7 in Fantasy, and at 2:22 another really good sustained G5
https://www.youtube.com/watch?v=uabPjhy9J8g&list=PLMHtyINR3S97j37OL7dVtUdexKGTyifqA&index=3#t=02m35s
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Re: Adam Lopez

Post  Krzysztof Raymond Howe II on Sun Jan 11, 2015 8:00 am

You forgot the C7 in Take on Me Sad

Also just an aesthetic tip, instead of putting every song in seperate Parentheses, put the whole note section in parentheses and separate songs by commas and quotation marks, like instead of:
C7 (''Emotions'') ("Nessun Dorma")
put:
C7 ("Emotions", "Nessun Dorma")

It just looks a little neater
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Re: Adam Lopez

Post  Celice on Sun Jan 11, 2015 8:21 am

cryszofthescots wrote:You forgot the C7 in Take on Me Sad
From the previous thread:
Celice wrote:
Farrex wrote:
bradphone wrote:
cryszofthescots wrote:
Beautiful and powerful G2's on the first note of the chorus In Love
OH an F#5 and C6 in the bridge

If you`re talking about that note at 2:14? That`s not a C6 dude, it`s a Phrase that goes Bb6 > B6 > C7 > G6 > A6 > Bb6 > A6
It sounds more of an C#7 to me
I hear the high note as C7.
TheDeathBat wrote:
Celice wrote:I see the highest note in Take On Me isn't listed yet - do we need more opinions on that one?
Yeah, theres too many different opinions on that note right now so i think posting it on the OP might be stupid for right now.
Anyone else want to check it?
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Re: Adam Lopez

Post  TheDeathBat on Sun Jan 11, 2015 8:54 am

cryszofthescots wrote:You forgot the C7 in Take on Me Sad

Also just an aesthetic tip, instead of putting every song in seperate Parentheses, put the whole note section in parentheses and separate songs by commas and quotation marks, like instead of:
C7 (''Emotions'') ("Nessun Dorma")
put:
C7 ("Emotions", "Nessun Dorma")

It just looks a little neater

Alright. Thank you
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Re: Adam Lopez

Post  Virtuoso on Sun Jan 11, 2015 9:12 am

Overall, not bad! Maybe rearrange the op in alphabetical order (all up to you)

Also, add blue for whistle notes to organize things better (I think his whistle tones are very distinct and obvious)
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Re: Adam Lopez

Post  TheDeathBat on Sun Jan 11, 2015 9:18 am

Yes finally another person that likes the colouring system!
I will probably get around to whistle tones and falsetto in blue.
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Re: Adam Lopez

Post  kokope on Sun Jan 11, 2015 9:41 am

TheDeathBat wrote:Yes finally another person that likes the colouring system!
I will probably get around to whistle tones and falsetto in blue.
Yeah, why not? Everything will be in blue. Sleep I don't think it's REALLY important to mark all whistle and falsetto notes in blue.
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Re: Adam Lopez

Post  BioHazard634 on Sun Jan 11, 2015 9:47 am

Celice wrote:
cryszofthescots wrote:You forgot the C7 in Take on Me Sad
From the previous thread:
Celice wrote:
Farrex wrote:
bradphone wrote:
cryszofthescots wrote:
Beautiful and powerful G2's on the first note of the chorus In Love
OH an F#5 and C6 in the bridge

If you`re talking about that note at 2:14? That`s not a C6 dude, it`s a Phrase that goes Bb6 > B6 > C7 > G6 > A6 > Bb6 > A6
It sounds more of an C#7 to me
I hear the high note as C7.
TheDeathBat wrote:
Celice wrote:I see the highest note in Take On Me isn't listed yet - do we need more opinions on that one?
Yeah, theres too many different opinions on that note right now so i think posting it on the OP might be stupid for right now.
Anyone else want to check it?
C7.
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Re: Adam Lopez

Post  BioHazard634 on Sun Jan 11, 2015 9:50 am

Can somebody move the other thread to Retired? Then you can take "Updated" out of the title of this one. And DeathBat, are you the 80s Rocked guy too?
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Re: Adam Lopez

Post  TheDeathBat on Sun Jan 11, 2015 10:20 am

Yes I am. But I don't have access to that account anymore.
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Re: Adam Lopez

Post  Virtuoso on Mon Jan 12, 2015 5:48 am

On second thought, I would advise you NOT to use the color system for whistle (more than half of his significant high notes).
Id rather see blue for soft disconnected falsetto. He has some really nice falsetto tones.
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Re: Adam Lopez

Post  TheDeathBat on Mon Jan 12, 2015 6:27 am

ya he does.
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Re: Adam Lopez

Post  Krzysztof Raymond Howe II on Mon Jan 12, 2015 12:01 pm

So we're set on C7 for the top whistle in Take On Me it seems. And are you planning on changing the format?
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Re: Adam Lopez

Post  Hopscotch on Wed Jan 28, 2015 11:34 am

TheDeathBat wrote:* orange Indicates Notes with questionable registers.
>2015
>still using orange as a color in threads

Pray
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Re: Adam Lopez

Post  TheDeathBat on Wed Jan 28, 2015 11:35 am

Kay,removed it.
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Re: Adam Lopez

Post  Hopscotch on Wed Jan 28, 2015 11:52 am



Regarding the earlier discussion about coloring his whistle notes, that's actually something that I wouldn't be opposed to. I mean, as long as they're clearly different in tonality from his falsetto notes, I don't see anything wrong with marking them differently. It doesn't really matter that they makeup the majority of his high range, because all that really does is tell the reader that he's a very frequent whistle user.
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Re: Adam Lopez

Post  Krzysztof Raymond Howe II on Wed Jan 28, 2015 12:24 pm

Wanderlust wrote:

Regarding the earlier discussion about coloring his whistle notes, that's actually something that I wouldn't be opposed to. I mean, as long as they're clearly different in tonality from his falsetto notes, I don't see anything wrong with marking them differently. It doesn't really matter that they makeup the majority of his high range, because all that really does is tell the reader that he's a very frequent whistle user.
Oh yeah they are very different to his whistle. As per usual, I suggest electric fuschia.
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Re: Adam Lopez

Post  Hopscotch on Wed Jan 28, 2015 12:43 pm

Electric fuchsia In Love


Last edited by Wanderlust on Wed Jan 28, 2015 12:45 pm; edited 1 time in total
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Re: Adam Lopez

Post  TheDeathBat on Wed Jan 28, 2015 12:45 pm

Okay, when I get back home il change it.
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Re: Adam Lopez

Post  TheDeathBat on Sun Feb 08, 2015 4:34 pm

i need more opinons on this guys Bb1
it sounds kinda fryish to me( possibly because it is SO low and being sung by a Tenor), and im wondering if i should even list it at all.
https://www.youtube.com/watch?v=4DEFNyk5E4U around 4:30 he sings the B1 and Bb1.
what are your opinions on the note?
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Re: Adam Lopez

Post  Krzysztof Raymond Howe II on Sun Feb 08, 2015 4:54 pm

TheDeathBat wrote:i need more opinons on this guys Bb1
it sounds kinda fryish to me( possibly because it is SO low and being sung by a Tenor), and im wondering if i should even list it at all.
https://www.youtube.com/watch?v=4DEFNyk5E4U around 4:30 he sings the B1 and Bb1.
what are your opinions on the note?
I'd say definitely keep em, they're sustained and thought they're quiet and pretty fryish they're obviously intentional
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Re: Adam Lopez

Post  TheDeathBat on Sun Feb 08, 2015 4:57 pm

kay, should i mark them as fry notes or just leave them as they are?(sorry for all these questions, its my first thread so il be asking a little more than usual)
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Re: Adam Lopez

Post  Krzysztof Raymond Howe II on Sun Feb 08, 2015 5:16 pm

TheDeathBat wrote:kay, should i mark them as fry notes or just leave them as they are?(sorry for all these questions, its my first thread so il be asking a little more than usual)
It's cool man, i asked tons of questions when I did my first thread too. It's the Thomas Erak thread if you wanna look at it. I'd say just leave them be. It seems to be just a fried mix, still solidly part of his chest voice
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Re: Adam Lopez

Post  Molandfreak on Wed Apr 08, 2015 11:32 am

WTF? A falsetto F2? Laughing
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Re: Adam Lopez

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