Davey Havok

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Davey Havok

Post  press-eject on Sun Dec 15, 2013 6:25 pm



Voice type: Love Like Tenor
Vocal range: E♭2-D♯6


Best known as the lead singer of hardcore punk-turned alternative rock band AFI, Davey Havok is also the lead singer of electronica duo Blaqk Audio and straight edge metalcore act XTRMST, and previously sang lead for horror punk band Son of Sam. Though he is known for his bright, powerful highs, Havok is a versatile singer whose stylings range from rich, baritone-like low passages to throaty, high-pitched screaming.

Significant high notes:
D♯6 ("Fainting Spells")
D6 ("Kiss and Control")
C♯6 ("Affliction", "Miss Murder")
C6 ("Endlessly, She Said", "Kill Caustic")
B5 ("Carcinogen Crush", "Head Like a Hole", "Sharper", "This Celluloid Dream")
G♯5 ("Kill Caustic")
D5 ("...but home is nowhere", "Division", "The Embrace")
C♯5 ("...but home is nowhere", "Ceremonial (Burst Into Stars)", "The Despair Factor" live, "Dirty Nails", "The Leaving Song Pt. 2", "Little King", "Rewind", "Ziggy Stardust")
C5 ("A Story At Three", "A Winter's Tale", "Anxious", "Battled", "The Breed", "Clove Smoke Catharsis", "Exsanguination", "Extremist", "The Face Beneath the Waves", "Fall Children", "First To Love", "God Called In Sick Today", "Halloween", "The Last Kiss", "The Lost Souls", "Malleus Maleficarum", "Modern Epic", "My Michelle", "Over Exposure", "Porphyria Cutanea Tarda", "The Prayer Position", "Totalimmortal", "Weathered Tome")  
B4 ("6 to 8", "A Single Second", "A Story At Three", "Aspirin Free", "Bleed Black", "The Boy Who Destroyed the World", "Charles Atlas", "Coin Return", "Conformist", "Death of Seasons", "The Despair Factor", "Dream of Waking", "Ether", "Exsanguination", "Exterminate", "Fallen Like the Sky", "Girl's Not Grey", "The Great Disappointment", "Greater Than 84", "I Hope You Suffer", "Juliets", "Keeping Out of Direct Sunlight - an introduction", "The Leaving Song, Pt. 2", "Let It Be Broke", "Love Is A Many Splendored Thing", "Malleus Maleficarum", "Miseria Cantare - The Beginning", "Midnight Sun", "Narrative of Soul Against Soul", "The Nephilim", "The New Patron Saints and Angels", "No Poetic Device", "Now the World", "Of Greetings And Goodbyes", "Paper Airplanes (makeshift wings)", "pH Low", "Porphyria Cutanea Tarda", "The Prayer Position", "Rabbits Are Roadkill on Rt. 37" "Sacrifice Theory", "The Sinking Night", "Smile", "Social Deathplay", "Synesthesia", "This Time Imperfect", "Three Reasons", "Three Seconds Notice", "Weathered Tome", "Who Knew?", "Words for the Unwanted")
B♭4 ("At a Glance", "Brownie Bottom Sundae", "Ceremonial (Burst Into Stars)", "The Conductor", "Crop Tub", "Cult Status", "Curious Friends", "Dancing Through Sunday", "The Devil Loves You", "The Embrace", "Endlessly, She Said", "Ever and a Day", "The Face Beneath the Waves", "God Called In Sick Today", "In the Hills", "Kill Caustic", "The Last Kiss", "The Leaving Song Pt. 2", "Lower It", "Lower Your Head and Take It in the Body", "Mute", "Of Power", "Rabbits Are Roadkill on Rt. 37", "Reiver's Music", "Silver and Cold", "Synesthesia", "Wester", "Yürf Rendenmein")

Significant low notes:
A2 ("6 to 8", "Again, Again and Again", "Between Breaths (an xx perspective)", "Faith Healer",  "The Fear of Being Found", "Head Like A Hole", "On a Friday", "The Prayer Position")
G♯2 ("3½", "37mm", "Evernight", "First to Love", "The Interview", "Stiff Kittens")
G2 ("Again, Again and Again", "Bon Voyeurs", "Ever and a Day", "Evernight", "Faith Healer", "On A Friday", "You Will Hate Me")
F♯2 ("Heart Stops", "Invocation", "The Leaving Song Pt. 2")
E2 ("Evernight", "Extremist", "Heart Stops", "The Sinking Night")
E♭2 ("Invocation")




.......................................................
*Underlines mark notes in backing vocals, or otherwise obscured in song mix.
*Green marks notes delivered with harsh vocals.
*Italics mark non-sung notes.


Last edited by press-eject on Fri Aug 19, 2016 5:27 pm; edited 7 times in total (Reason for editing : Cleaning up)

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Re: Davey Havok

Post  SpiralStatic on Tue Mar 11, 2014 5:02 am

Baritone? Guy's got a pretty obvious bright nasally tenor range imo

Also watch the octave numbers on A5 and B5, those should be 4's.
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Re: Davey Havok

Post  Stoner on Thu Mar 20, 2014 1:00 am

He's a bizarre tenor. He sometimes sounds baritone when he sings in the 3rd octave, yet his highs colour are clearly more tenorish than baritone.

Will give some extra notes soon Smile

Edit: Bb4's in Dancing Through Sunday, B4 in I Hope You Suffer


Last edited by Stoner on Thu Mar 20, 2014 1:06 am; edited 1 time in total
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Re: Davey Havok

Post  Gabriel-22 on Thu Mar 20, 2014 1:05 am

There's a fucking B5 and A#5 before C5?

You mean B4 and A#4 dude.

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Re: Davey Havok

Post  Timqwe on Thu Mar 20, 2014 3:32 am

Gabriel-22 wrote:There's a fucking B5 and A#5 before C5?

You mean B4 and A#4 dude.
Well, that was kinda rude
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Re: Davey Havok

Post  Krzysztof Raymond Howe II on Sat May 03, 2014 3:29 pm

Timqwe wrote:
Gabriel-22 wrote:There's a fucking B5 and A#5 before C5?

You mean B4 and A#4 dude.
Well, that was kinda rude

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Re: Davey Havok

Post  sion1000 on Wed May 28, 2014 3:07 pm

Nasal-kick-ass tenor. This guy is a fuck'n machine.
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Re: Davey Havok

Post  R.I.P. Rapport Rapturer on Thu May 29, 2014 1:02 am

The OP looks confusing...
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Re: Davey Havok

Post  sion1000 on Thu May 29, 2014 9:15 am

So many missing notes. Please, somebody?
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Re: Davey Havok

Post  press-eject on Sun Aug 24, 2014 6:00 am

Gabriel-22 wrote:There's a fucking B5 and A#5 before C5?

You mean B4 and A#4 dude.

Whoops.

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